L'amour des trois oranges gozzi
At this Cadogan Hall lunchtime chamber recital she was making her Proms debut, les trois ages de la femme klimt and Giunta gave an assured, audience-winning performance which suggested that such accolades are more than deserved and that it wont be long before shes invited back.
On paper, little seemed to unify the first and second halves of the programme: Wagner and Richard Strauss with a (very overdue) UK premiere of Per Nørgårds Third Symphony.The Sense of an Ending : the BBC Singers and Sakari Oramo We are accustomed to seeing Finnish conductor Sakari Oramo at the helm of a large orchestra, baton in hand, guiding the instrumentalists with unassuming but donna cerca uomo a vimercate precise authority and expressive, communicative musicianship.Sullivan was accordingly at liberty to compose more serious and emotional operas, as he had long desired, and turned first to the moribund tradition of "Grand Opera" with.Ukrainian tenor Sergei Khomov triumphed as Trouffaldino.Lamour des trois oranges is sweet, juicy, and just a bit bitter in the right moments.At its first performance in Chicago in 1921, Prokofievs opera was presented in French rather than Russian.
Laura Scozzis choreography is evocative and compelling.
Prom 62: Petrenko and the Royal Liverpool Philharmonic - one concert, two stellar sopranos.
Within The Netherlands Operas production, the principals in Prokofievs satirical piece are finely presented as cartoonish caricatures with nods to the commedia dellarte acting style.The Princesses of Orange were each remarkable.131 performances and considerable critical acclaim followed, and it out-ran is companion piece, Offenbachs.Some productions paint the piece as greyscale Soviet dirge, detracting from the beauties, wonders and surprises in the opera.Its an enormous gamble, but in the event, On the Town opened at Broadways Adelphi Theatre on 28th December 1944 to rave reviews and laid golden foundation stones for the career paths of its prodigious creators - Bernstein, choreographer Jerome Robbins and writers Adolph Green.The Bassarids at the Salzburg Festival Hans Werner Henzes fifth opera, The Bassarids (those who wear fox skins) had its world premiere at Salzburgs Grosses Festspielhaus in 1966.In her company debut, mezzo-soprano Florieke Beelen sang gorgeously as the doomed Linette.Anna Shafajinskaia was in top form as the grotesque Fata Morgana.The King, Pantalon and Trouffaldinos efforts are hampered by the results of a magicians card game between Tchelio and the grotesque Fata Morgana.His mock-lyric pining over the oranges and the near-Liebestod duet with Ninette were presented with both exaggerated lyricism and great sincerity.
When the Prince finally laughs, Fata Morgana curses the Prince to fall madly in love with three oranges.
And hope for the best.